heisenbabe:

i want to sleep for 2 years and wake up with a degree, an apartment and money in the bank.

posted 1 week ago via fall- with 650,968 notes

britishlossers:

PLEASE PLEASE DONT SMILE THAT WAY

britishlossers:

PLEASE PLEASE DONT SMILE THAT WAY


steverogerswintersoldier:

All you need to know about Jesse Pinkman in two screencaps




“So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of “The Conversation” would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.” — Roger Ebert on Lost in Translation

“So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of “The Conversation” would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.” — Roger Ebert on Lost in Translation


onlypaulmccartney:

The Beatles in the film Help!, 1965.

We would occasionally get stoned on the way to the film set. My main memory is of being in hysterics because for all of us, one of the great things about early pot was the sheer hysteria— the laughs. Things could appear very very funny, hilariously so. And nobody quite knew why we were laughing, and of course this made it even funnier. It was like little kids giggling at the dinner table. I remember one of the scenes, it was after lunch and we’d crept off into the bushes and come back a little bit sort of ‘Hi there!’ pretending we’d had a glass of wine too many or something." - Paul McCartney


smells-like-softgrunge:

lana bby


piercethemen:

I swear at least five of my two friends don’t like me



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